Week 4: Spectators, Gazes, Audiences
February 16
Sianne Ngai, Our Aesthetic Categories: Zany, Cute, Interesting (2005) (introduction) Endnotes to reading
A reminder to send a “media journal” to me by 9am on Monday. This can be a record of a day (or longer).
7pm screening:
Sans Soleil (France: Chris Marker, 1983)
February 18
Laura Mulvey, “Visual Pleasure and Narrative Cinema,” Screen (1975)
Stuart Hall, “Encoding/Decoding” (1980)
bell hooks, “The Oppositional Gaze,” in Black Looks: Race and Representation (1993)
**Paper due Friday, February 20 at 12pm. Please email to lauranelson@princeton.edu.
Paper no. 1 prompt
Videos from class:
Julie Dash, dir. Illusions (1982)
You can watch the whole film through Princeton Kanopy.
Maryam Tafakory, dir., نظربازی Nazarbazi (2022), excerpt
Sianne Ngai, Our Aesthetic Categories: Zany, Cute, Interesting (2005) (introduction)
7pm screening:
Sans Soleil (France: Chris Marker, 1983)
February 18
Laura Mulvey, “Visual Pleasure and Narrative Cinema,” Screen (1975)
Stuart Hall, “Encoding/Decoding” (1980)
bell hooks, “The Oppositional Gaze,” in Black Looks: Race and Representation (1993)
**Paper due Friday, February 20 at 12pm. Please email to lauranelson@princeton.edu.
Paper no. 1 prompt
Videos from class:
Julie Dash, dir. Illusions (1982)
You can watch the whole film through Princeton Kanopy.
Maryam Tafakory, dir., نظربازی Nazarbazi (2022), excerpt